Tag Archives: David Bottini

Interview with David Bottini

David Bottini, May Meadow Breeze, 30 x 40 inches, acrylic on canvas

David Bottini, May Meadow Breeze, 30 x 40 inches, acrylic on canvas

David Bottini will be showing his large landscape paintings at the gallery for the month of March. I feel like David’s paintings are a preview of spring and summer as we fill the gallery with his light infused landscapes.

KM: What is your first creative memory?

DB: It is toddler pre-memory, but my parents describe a naptime where I apparently woke-up and stood in my crib tearing off a wall collage that my mother had made – they discovered my “revision” when they checked-in on my nap … maybe I was exerting an emerging aesthetic?

I also remember loving crayons and paper – I am the youngest child, so I recall having crayons and piles of tractor-feed computer paper (my father was a computer programmer in the sixties) that I remember loving to fill with doodles and images. I spent considerable time with my grandfather (he lived with us) – so I always enjoyed the wanders into the woods and time spent in the garden with him … perhaps the seeds of my love of nature were established in those early years.

David Bottini, Summer Leaves, 24 x 12 inches, acrylic on canvas

David Bottini, Summer Leaves, 24 x 12 inches, acrylic on canvas

KM:How long have you been painting?

DB: I had my first formal classes at 10 … worked at my art throughout high school. Really focused and engaged in the process during college and graduate school. So … 40 plus years of working to make paintings … perhaps the past 20 where I sense I am becoming a painter.

KM:Why do you paint?

DB: The reason has changed over the past 30 plus years. I originally painted because it allowed me to engage a fascination with paint, design, and color. As the years passed, and my technical prowess became more intuitive, I have come to see painting as the primary way I can share an articulate experience of the peace and contemplative solace that I find within nature.  Painting is now (excuse my cliché) a lifestyle … I  cannot imagine not working in the studio, and viewing my life experience through a painter’s eye. I sense that my reasons for painting will continue to evolve as I mature physically and creatively.

KM: Do you already have an image in your mind prior to painting or does it develop as you get started?

DB: Not a specific image so much as a sense of light, and the “feel” of a place. As I work from sketches and many photos for reference, I build a painting that conveys the experience I recall from that place.

x David Bottini, March Snow, 40 x 40 inches, acrylic on canvas

David Bottini, March Snow, 40 x 40 inches, acrylic on canvas

KM: Can you tell me a little about your studio practice?

DB: I work in a traditional process that begins in direct experience. I take walks or go out for hikes 3 to 5 times each week. There are always places that attract me – I am drawn to a sense of both enclosure/embrace and some path that is implied or physical that leads outside of the area of embrace.
I generally take many (typically 45- 70 images) from any given location as reference. I will usually return for some very loose sketches.
In the studio, I generally begin with loose paint sketches on paper and then, if the subject/place engages my design interest I will move to a canvas study. I often work a 5 x 7 up to 11 x 14 inch range as my first iteration. If my interest is piqued, I return to a larger (and always revised) larger scale iteration. It is not unusual for my work building a larger canvas to involve weeks of engagement as I build 30 to 40 layers of glazes.

I see a similarity between developing a friendship and building a painting, if the subject is nourishing and continues to engage my art and design interest, I will pursue and maintain a dialogue with the subject. There are places that feel almost archetypal and have had me returning to the visual theme for years of paintings.

David Bottini, Sparkling Summer Morning,  24 x 36 inches, acrylic on canvas

David Bottini, Sparkling Summer Morning, 24 x 36 inches, acrylic on canvas

KM: What artists do you admire?

DB: I have a wide range of artists who inspire and instruct my work in the studio. I love Andrew Wyeth’s rich low-key palette and evocative handling of a familiar Pennsylvania landscape. I continue to be moved by Mark Rothko’s luminous color and still compositional space. I am awed by the luxury and vibrant energy of Maxfield Parrish’s compositional clarity and saturated palette. Corot pulls me into his deep environmental space and carries my eye through his composition with rhythmic brushstrokes and his use of a dark and subdued palette. The American Luminists and 20th Century graphic design represent bodies of work that offer me endless hours of visual study and inspiration. There are many others – including work done over the years by my students, who often make marks that are fresh, raw, and without analytical baggage.

David Bottini, Autumn Arrives 20 x 16 inches, acrylic on canvas

David Bottini, Autumn Arrives 20 x 16 inches, acrylic on canvas

KM: What do you do fun or to recharge yourself?

DB: I enjoy taking long walks and hikes into the woods whenever possible. I also enjoy any reason to take a train trip as well as reading food columns to find a bartender using small batch liquors and creative cocktail recipes. Eating small plates at wonderful bars is one of my favorite luxuries.


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David Bottini: New Paintings

David Bottini, May Meadow Breeze, 30 x 40 inches, acryilc on canvas

David Bottini, May Meadow Breeze, 30 x 40 inches, acrylic on canvas

New Paintings by David Bottini opens Friday, March 1, 2013

March 1 – 30, 2013

First Friday Opening Reception March 1, 5-9 PM

David Bottini’s realist landscapes explore light and atmosphere. His approach begins in direct observation and is enhanced and developed in the studio using a traditional glazing approach. His work draws from training in classical realism as well as his passion for a post-modern abstract sensibility in composing a viewpoint.


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F.A.N.’s 19th Year at USArtists American Fine Art Show & Sale

USArtists American Fine Arts Show & Sale

Serge Zhukov, Drawing Class, Right part of diptych. Acrilic, oil on canvas 36×36 inches

Al Gury, Twilight, oil on canvas, 16 x 20 inches

USArtists is the nation’s premier American art event. Many of the country’s
finest art dealers exhibit and sell an extraordinarily rich and diverse collection
of 18th- through 21st-century American art.

This will be F.A.N. Gallery’s 19th year exhibiting at USArtists American Fine Art Show & Sale. Please come and share in a selection of new paintings, sculpture and works on paper by David Bottini, Rick Buttari, Lesa Chittenden Lim, Al Gury, Robert Heilman, Tezh Modarressi, Kate Kern Mundie, Gregory Prestegord, Carlo Russo, Kathleen Weber, Serge Zhukov, and others.

Friday, Saturday & Sunday, September 23-25, 2011

Pennsylvania Academy of the Fine Arts | Samuel M.V. Hamilton Building

Opening Night Preview Gala: Thursday, September 22
New Collectors Night: Friday, September 23

Show Hours:
Friday and Saturday, 11:00 am – 8:00 pm
Sunday, 11:00 am – 5:00 pm


PAFA members & children under 12 are free!

General Admission:                                   $15 pp

Seniors & Students with ID:                    $12 pp

Groups of 6 or more:                                 $12 pp
Benefits of Admission:  Receive one full-color show catalog, unlimited entry to USArtists 2011 and one free admission to PAFA valid until October 2012.

Receive a $3 discount on a full price admission ticket when you purchase online.

All proceeds from USArtists directly benefit student scholarships
at the Pennsylvania Academy of the Fine Arts.

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