Carlo Russo is teaching some workshops. Follow the link for more information
Jesse J. Gardner: On the Streets of Philadelphia
Jesse’s work is up in the gallery right now. Come check it out.
Filed under Events
FAN in the New York Times
We love when our fair city makes The Gray Lady. You can see a link to FAN Gallery
Broad Street Review: Rick Buttari at F.A.N. Gallery
You can read a nice review of Rick Buttari’s work by Andrew Mangravite here. Broad Street Review: Rick Buttari at F.A.N. Gallery.
First Friday Focus: September 2013 :: Arts :: Picks :: Philadelphia City Paper
We love to get a mention in the paper.
First Friday Focus: September 2013 :: Arts :: Picks :: Philadelphia City Paper.
Filed under Events
Interview with Rick Buttari
Rick Buttari will be showing new paintings for the month of September and F.A.N. Gallery.
We got the chance to ask him a few questions about his work.
Allen Bentley joins F.A.N.’s Summer Show
F.A.N. Gallery is pleased that Allen Bentley will be showing with us this summer. Allen is a graduate of University of Pennsylvania and Western Carolina University.
Allen says of his work,”The pursuit of real interaction drives so much of our relationships. Whether under water or in dance, my work explores intimacy and connection through motion. Energy and passion, rhythm and play guide my figures through moments of reaching, spinning, holding. We chase one another in the hopes of finding a similar resonance, an affinity with another.”
A Few Questions with Kathleen Weber
I actually think that the most challenging part of painting figures is creating the atmosphere around them. Of course you want to be able to draw them well, but with enough practice that’s achievable. They can teach that in art school. What they can’t teach is, what’s inside you that’s different from the next painter? What do you paint when you stop imitating painters you admire? That’s something you can only figure out by spending a lot of time in front of your easel. I’m still working on that.
Do you have a creative habit? How do you shape your art making practice to nurture your work?
Now that the good weather is here again, I hope to get outside and paint landscapes for a change, because although I do a lot of work from photos, I actually prefer working from life. I try to get some of the energy of plein air in my studio work.
Carlo Russo wins Purchase Prize at ARC
We just found out some good news from one of our artists, Carlo Russo. His painting, “Dreams of Ophelia” won a purchase prize awards at the 2013 Art Renewal Center Salon, as well as winning 3rd place in figurative category. Carlo’s painting “the blue dress” was a still life finalist too.
Congratulations to Carlo Russo!
Interview with Serge Zhukov
F.A.N. Gallery will show the work of Serge Zhokov this month. Serge is a wonderful painter and a master at creating mood through is landscapes and figures.
Victoria Donohoe of The Inquirer said, “his figure drawings give us an easy sense of his subjects’ reality, but it’s the delicate mix of senses and substance that imbues the oils with an air of uncontrived refinement, while their milky hues set the spirit that appeals to the sophisticated eye.”
I was able to ask Serge a few questions about his influences and how he works.
Who are your influences? Favorite artists or books or music.
My influences, naturally, are constantly changing throughout my life. At one point in time, I skipped through pages in Art History books, which were devoted to Giotto and De Chirico. Now they are my favorite artists. I am certainly influenced by Piero della Francesca, Giorgione. I can examine works like “Legend of the True Cross” or “Pastoral Concert” for hours. I like Balthus, mostly his late works. In literature, it’s Stanislaw Lem, Hesse, Sasha Sokolov, Osip Mandelstam.
How much planning and preparation go into your paintings, do you do a lot of drawing first and then move onto the painting?
It’s difficult to say. If, I have a clear idea about my next project, then painting goes smoothly. However, I have to envision the entire image in my mind first, prior to drawing. I do a lot of drawings. Often my vision is altered when I actually start painting. It happened with “Drawing Lesson 1” where my original idea changed after creating several drawings.
What is your first creative memory?
I mixed toothpaste with watercolor paints and colored a window glass. I was 5 years old.